Saturday, September 14, 2013

The Motherfucker With The Hat: The latest Paper Wing Theatre production

I'm going to link you to another review on this show from Shane M. Dallmann:

https://www.facebook.com/notes/shane-m-dallmann/review-the-motherfker-with-the-hat-at-the-paper-wing-theatre/10151955036728319

And here are my ranting thoughts:

I've known way too many people like this. My family is largely in and out of AA and rehab, spending all that quality time with their 'sponsors', and attempting to either make their lives bearable or replace one addiction with another. Drew Wheeler plays a character, Ralph D., who embodies so much of the positive and the negative people tend to find in recovery programs. He's a self-centered, hypocritical, opportunistic manipulator who takes a struggling young Jackie (Timothy Samaniego) under his wing and waxes philosophic regarding his self-centered excuses wrapped up in false morality. The worst part is that the character obviously falls for his own bullshit and I personally wanted to walk up and punch his face in. Chalk this up to an amazing performance, but Jackie meets this philosophy head on during a crucial moment in his struggle toward sobriety.

Melissa Kamnikar explodes in her first appearance on the Paper Wing Stage! She opens the show with a foul mouthed diatribe toward her mother, blasting a verbal barrage without limits and continues to mow through the rest of the show with unbridled passion. Veronica is a force of nature that blasts Jackie (Timothy Samaniego) into a tail spin rush when he finds the mysteriously discarded "Hat" of the plays title.We can immediately see the furious passion between the young couple that explodes from one extreme to the next when Jackie flips out over a suspected affair. Veronica insists that nothing is happening, but Jackie certainly knows better and he's out for answers- fleeing toward the only other people in his life he can trust, Jackie's reactions are extreme and lead him in a tailspin toward self destruction.

Recently paroled, Jackie has been on the wagon for some time and he has a strong relationship with his sponsor. Ralph opens his home to the ex-con and addict, offering advice and juice drinks while holding himself up as an example for Jackie to aspire toward. But as events transpire, Jackie also turns toward his cousin Julio (Jesse Juarez) and is confronted with the nature of who he's become, who he once was, and what it means to be the man he really wants to be. Juarez brings perfect comedic timing to the role of Julio, and also manages to bring tears to the eyes with a particularly poignant moment in the show- but the Van Damme obsession kicks in and you will not be able to stop laughing when he arrives in scene two of the second act.

And then there's the central question at the heart of the show: "What is recovery?" And the best person to answer that question is Victoria (Amanda Platsis), the abrasive and verbally absuive wife of Ralph. She's also struggling with her own addiction, her own experiences, and her marriage to the supposed Paragon of Virtue. While Jackie stumbles and falls through a raging flux of emotions, Victoria delivers a realistic look at the supposed Paragon to which Jackie has been looking for guidance.

Jackie is a man of desperate passion and is played to the hilt by the enormously talented Samaniego. He's been in love with Veronica since their early teens, her picture a warm comfort throughout his two year stint in prison. We wonder if he's trying to be clean for her, if he's trying to find work for her, or if he's really even angry with her or with who he sees he's become. There are some hard questions that Jackie is forced to ask himself regarding the man he wants to be and the man he is, what he will become, or whether he even has a real opportunity to make that transition.

Go see this show at your next opportunity. It's fantastic, you'll laugh, and you'll cheer, and you'll definitely feel  a number of things before the final curtain call.

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