I, TONYA
Do you remember Tonya Harding and
Nancy Kerrigan? Back in the early 90’s, the tragic tale of a skating
rivalry gone awry was all over the tabloids. Kerrigan had been wounded
in a sudden attack while training, her knee busted with a pipe
and the perpetrator on the run. The image of Kerrigan on the floor,
screaming “Why?!” had been burned into the zeitgeist of the era. It
wasn’t long until the light was shone on rival competitor, Tonya
Harding, and her husband Jeff Gillooly. Events quickly
spiraled and they were both found guilty of conspiracy to wound
Kerrigan-
“I, Tonya” offer a wonderfully unique
and often contradictory glance into the life of Harding and her
struggles in marriage and competition, including an especially painful
childhood driven by a relentless “stage” mother who often seemed
cold and distant. It’s important to note that this is HER story, based
on an autobiographical account of her life. Interviews with other
involved people will sometimes contradict her narrative or occasionally
corroborates it but it’s important to note that
this is her story. It’s not necessarily the truth, and much of that
simply doesn’t matter.
Beautifully scripted and acted, the
film unfolds in a relentless comedy of errors as the players are none
too bright or sympathetic. We’re shown stark and realistic portrayals of
domestic abuse and Margot Robbie delivers an incredible performance
as Tonya. She makes Tonya into a believable, sometimes sympathetic,
sometimes out of her depths, and often manipulative competitor with a
tendency to shift the blame from herself when it suits her. Allison
Janney nearly steals the show as LaVona Harding, Tonya’s
domineering and abusive mother. The film deserves every award it’s
garnered a nomination for and is an absolute MUST SEE.
9 out of 10.
THE RITUAL
“The Ritual” is an intense and
atmospheric film set in the deep dark wilderness of Sweden’s Hiking
trails. As important as the capable cast, the beautiful landscapes thick
foliage and creeping fog creates a tense atmosphere that will rattle
the nerves as effectively as any score could. And the film works to
promote the surroundings as a very real and credible threat. In addition
to whatever things may be hiding within.
Directed by David Bruckner (V/H/S and
The Signal), the films story is about four friends who plan a holiday
hiking through the mountains. The group are approaching their
mid-forties and find their strained relationships stretched as each
leads their separate lives. The trip is held in honor of a fifth member
who had recently died, with one person in particular haunted by the
event. The mounting tension works to build upon these strained
relationships and drive the protagonists deeper into
a dark wilderness that may never let them go.
Streaming on Netflix.
8 out of 10.
CLOVERFIELD PARADOX
Dropping right after the Superbowl,
Netflix continues to find new ways to promote their original content
when they decided to drop the third film in the popular franchise that
has featured a giant Kaiju, space aliens, a psychotic killer,
and now brings us to the near-future and a space station orbiting earth
as it prepares an experiment that will provide limitless power to the
beleaguered people far below. In what is basically a twist on the
“Heddron Collider” theories, the Cloverfield Space
station activates and something truly devastating happens.
From here on out, any information I
could give would be a woeful disservice to you. Suffice to say that
things get shook up all over the place and the space station’s
inhabitants begin to experience bizarre events while the people down
below are also facing repercussions of their own.
Tying some of these events in a nice
little bow, the Cloverfield Paradox does a terrific job in linking the
previous films in the franchise while cementing its own unique story
along the way.
7 out of 10.
WINCHESTER:
Dames aside, this one is a fairly
standard spook film that tries to copy formulas from other recent films
and to cash in on urban legends surrounding the very real and,
subsequently, very near Winchester House. Billed as “The house that
ghosts built”, the film plays heavily on its major conceit that “guns
are bad” and the souls of those who had been killed by guns are haunting
the matriarch of this family estate. There is a somewhat interesting
story involving the psychiatrist sent to evaluate
Mrs. Winchester’s mental awareness, but the film is basically a haunted
house attraction with creaking steps, jumping ghouls, and howling
moans.
4 out of 10, maybe rent it if you’re bored.
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