What
is “goth”? Gothic films are draped in black lace, splattered with drops
of blood, and wrapped in tight collars, bodices, and flowing fashions
of gloom and a bygone day. That’s easy enough to understand, but
there’s so much more to it- it’s a style and a fashion and it speaks to a
certain sort with poetry and music and things of a slightly strange
nature. It’s “Hot Topic” at the mall and that’s just far too bourgeois
to be truly Goth. So it’s vampire clubs and Depeche Mode until that
becomes cliché and exhausting and then we look to Poe and Blackwood and
maybe some Emily Bronte and so on so forth. The truth of the matter is
that “goth” isn’t easy to define but very easy to identify- because it’s
iconic and you know it when you see it.
Crimson Peak is a Goth Fan’s wet dream.
I
don’t want to repeat what I’ve read and heard in other reviews and so
I’m a little empty on how to approach the movie from here on out.
This
movie is a gothic love-letter to a kind of film we rarely get to see
and it’s a virtual feast for the eyes when it is seen. Guillermo Del
Toro (Pan’s Labrynth) returns to the “horror” genre with a story that
doesn’t share so much with the modern “Paranormal Activity” sort of
film, but brings back the ghost stories and creepy castle feel of far
older films. This is not his first foray into the realm of ghosts and
ghouls and things that go bump in the night, and his return has been
well worth the wait.
This
is the story of a troubled romance between a bookish young woman and an
entitled Baronet with a sinister past. This is a story of scandal,
violence, family, and an old rotting house on the top of an English
peak. Del Toro’s film echoes the sentiment of The House of Usher, the
Haunting, Rebecca, and the ghost stories of Algernon Blackwood- but
delivers a razor’s edge of violence that simply cuts to the bone with
stark visuals. Del Toro doesn’t just let you relax in the cold comfort
of creeping spirits- he executes moments of violence that are stunning,
brutal, and visceral in detail. When the first death comes it is so
sudden and so brutal that it jars the senses.
It’s
beautiful, haunting, and totally worth seeing this winter- which may be
the only real drawback of the film. Released three weeks before
Halloween, the film is much more of a winter’s ghost story and will
likely not see the kind of box office it should have seen had it been
released on the tail end of Halloween. So if this is the kind of film
that interests you then I recommend catching it as soon as you can. It
is also a finely tuned niche of a film- audiences who do not enjoy a
gothic romance may find the film a little melodramatic at times. It’s a
style of filming and acting that is not often seen in this day and age,
but I found it refreshing.
4 out of 5.
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