NUNSENSE!
This is not my first time.
I’ve seen Nunsense- one of the actresses performing was the Beauty
School Drop-out herself from the movie Grease and one of the Golden
Girls played another nun. It was funny and perhaps a little more risqué
than I was expecting in my channel surf to glory but there it was on
cable television.
So
we fast forward a few years and Paper Wing Theatre announces their 2015
schedule and it includes “Nunsense” on the bill and a little weird guy
inside my head was actually kind of giddy at the prospect. I really
liked it when I saw it a few years on A&E so this was kind of a
highlight for the upcoming theatrical year. Kate Faber, who directed
last years “Wondrettes”, would be tackling this show and I’m literally
jumping in my chair with a little bit of excitement- quickly and
stoically shoving it back behind me, because the Gorehound I’m known to
be would never in a million years be the sort of person who gets a kick
out of warm and fuzzy shows like this. Actually, I got more than a few
sideways glances when I would tell people I was really looking forward
to it- that I really love this show- and so on so forth. Like a certain
little cog just wasn’t clicking with what they know about me- let me
settle that issue right now: I am really freakin’ weird and it doesn’t
just mean I like horror movies, sci-fi, comics, D&D, or Professional
Wrestling.
Ahem.
I also like Nuns, puns, and off-kilter humor told through song.
Kate Faber pulls double duty here as the shows director and one of the
five principle performers, Sister Hubert. Faber is one of the strongest
vocal performers and an expressive comedic actress in her own right, but
her direction really takes center stage here as she manages to corral
five very different characters into a pun-heavy, zany, wackadoodle
comedy with great timing, zany antics, and hilarious wordplay.
The
premise is fairly simple; the surviving nuns of a New Jersey convent
are putting on a talent show to raise the money to bury some of their
less fortunate Sisters after a recent accident involving an accidental
mass poisoning. It’s not the first tragic event to occur at the Convent,
which we are quick to learn in one of the opening numbers instructing
us on the history of the church. A lesson followed up by an audience
participation quiz run by the Convent’s own Sister Amnesia (Alyca
Tanner), a nun plagued with a mental disorder that causes her to be
quite forgetful. I know there’s a name for that condition, but I can’t
remember. Tanner also pulls double duty as the vocal director for music,
but she left me in near tears with her characters timing and delivery.
She’s so funny that it’s hard to reconcile that she’s also directing the
strong vocals from a cast of ladies that never fail to deliver.
Each
of the Nuns have a separate story about their lives, the decisions that
led them to the Convent, and what their lives mean now that they’ve
chosen this life for themselves. The show is mostly light-hearted fun
with a little gallows humor (dead nuns in a freezer), but it never
disrespects the Faith of the people who choose life of service for the
purpose of a cheap laugh. Whether it’s the Brooklyn-born Nun with a
little street smarts and a snarky attitude problem (Katie Day), the ballerina
who hopes to express her faith through interpretive dance (Mindy
Whitfield), or the former tight-rope walking Mother Superior (Linda Felice)
whose life’s work came after a traumatic event- each of these Sisters
has a reason for being where they are in their lives. All are hilarious and all shine in various moments of the play. I nearly had a few asthma attacks along the way.
Nunsense
is all that and a bag of chips… okay, no one gave me a bag of chips and
I could’ve quite frankly enjoyed a bag. But I digress. I like this
show. I think a lot of people will enjoy this show and it’s something
that you can take your kids to.
4 out of 5.
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